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The Pillow Emboss effect reverses the inner bevel so the image appears to sink in and then rise back up along the edge of the layer By tweaking the settings for a bevel, you can achieve a soft effect or a hard, chiseled look The depth and intensity of the beveled effect is also adjustable n Contour and Texture: The Contour and Texture options aren t actual effects unto themselves Instead, you use them to modify the Bevel and Emboss effect The Contour settings create waves in the surface of the layer that result in rippling lighting effects Texture stamps a pattern into the surface of the layer, creating a texture effect Figure 1512 illustrates these two options On the top is an example of an Inner Bevel with the Contour set to Ring and a Range of 30 percent.

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On the bottom is another example of Inner Bevel, this time with the Contour set to Ring, a Range of 30 percent, and Texture set to Pattern (River Rocks Inverted) n Satin: This option creates waves of color, as in Figure 1513 You define the appearance of the waves using the Contour options One of the stranger effects, Satin can be difficult to predict As long as you keep the Preview option selected, though, you can experiment and play with settings for all the styles you re applying until you see a desirable result n Color Overlay, Gradient Overlay, and Pattern Overlay: These three options fill the layer with a coating of solid color, gradient, or repeating pattern, respectively They work almost identically to the three dynamic fills available to shape layers, as discussed earlier in this chapter.

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All three can be quite useful when defining your own style presets Figure 1514 shows the Gradient Overlay and Pattern Overlay effects, applied with a drop shadow, too n Stroke: Use this option to trace a colored outline around a layer, as shown in Figure 1515 The default stroke is rarely, if ever, useful: It s red and quite thick You can change the color and thin it out as needed, and you also can choose to apply it to the inside or outside of the layer s edge The Stroke effect is often preferable to Edit Stroke because you can edit it long after creating it By comparison, Edit Stroke is a permanent effect..

Choose an output size (in pixels) from the drop-down list or choose Specify Output Size to customize your size settings n Exposure Type Choose Automatic or Logarithmic Automatic exposure is the default output setting, and is the setting used with releases prior to AutoCAD 2009 The Logarithmic setting is useful when you want more control over exposure, but are not using photometric lighting n Physical Scale This setting helps to reduce artifacts (imperfections) caused by changes in exposure The default value is 1500 If you see artifacts, you need to experiment to find a value that works for you; the best value in a drawing with a sun will be different than in a drawing with just point lights The Materials section has settings relating to materials You can specify the following: n Apply Materials Turns materials on and off n Texture Filtering.

Summary

2. Use compressed air to clean any dust on the top of the monitor s case, blowing the air stream across the top of the monitor and not directly down to prevent any dust from blowing into the monitor s vents.

In summary, ionic current density is 1.345 108 TNa = 1.345 108 10 12. This results in a sodium-induced electrical current of about 0.1345 mA/cm2 to charge a capacitance of 1 mF/cm2 to a voltage increase of 0.2 V. Included later will be a potassium current going in the opposite direction to discharge the capacitor. In this, a simple model, the sodium current is zero after 1.5 ms. The resulting voltage due to sodium can be graphed as in Figure 3-4. Sodium transmission was chosen to give an increase from 70 mV to 130 mV, a change of 200 mV and then holding after 1.5 ms.

Figure 17.3 shows the result of completing the wizard with a 2 1 array of viewports. Usually, you still need to pan the model and change the scale to get the view that you want in each viewport. I discuss that process later in this chapter.

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