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1. I make a loose selection around both eyes in the second image. 2. I copy both eyes in the second image to a new layer and drag that new layer into the first image. 3. I lower the opacity of the new set of eyes so I can see the underlying layer. I use the eyebrows as a reference point to align both layers. 4. Because the new eyes are bigger, I use the Transform command to scale them down to the correct size. 5. The new eyes are a little dark because the image they came from was a bit darker, so I use Levels to lighten them a tad. 6. Then I finish up by using a layer mask to mask out everything I don t need on the new eye layer, leaving only the eyes and some of the skin around them. You can see what this looks like in the first frame of Figure 14.6.

Note that the read format affects only how the integer is converted as it is read the value stored in $integer_8 does not remember that it was originally written in base 8. Internally, of course, these numbers are represented in binary format; we see them in their base 10 conversion in the preceding output because that is the default for printing and incorporating int variables into strings.

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5. Choose Image Mode CMYK Color. The image looks washed out and a tad dark compared to its original RGB counterpart, but the overall color scheme of the image remains more or less intact. This is because the Red, Green, and Blue color channels each have a respective opposite in the cyan, magenta, and yellow channels. 6. Press Ctrl+Shift+L ( -Shift-L on the Mac). Or choose Image Adjustments Auto Levels. This punches up the color a bit by automatically correcting the brightness and contrast. 7. Convert the image to RGB and then back to CMYK. The problem with the image is that it lacks any information in the black channel. So although it may look okay onscreen, it will lose much of its definition when printed. To fill in the black channel, choose Image Mode RGB Color and then choose Image Mode CMYK Color. Photoshop automatically generates an image in the black channel in keeping with the standards of color separations (as explained in 20).

The most important step in color management is to calibrate the monitor on the computer where you are editing images. Without the monitor calibrated, you could end up spending hours to get the perfect color tones in the image only to find that your monitor was off and the colors don t really look that good elsewhere. Two methods are used for calibrating a monitor. The simplest, although least accurate, is to use software to manually adjust the gamma, brightness, contrast, and color that the system uses for the display. On Windows 7 systems, you can calibrate the monitor by selecting Start Control Panel Hardware and Sound Display Calibrate Color to bring up the calibration utility shown in Figure 29.2. On Apple systems, you can calibrate the monitor by using the Display Calibrator Assistant found in the Displays pane of the System Preferences. The most accurate method of calibrating a monitor is to attach a device called a calorimeter flat to the display surface. The calorimeter and display must be shielded from all ambient light. Then calibration software that comes with the calorimeter sends a series of color signals to the display and compares the values seen by the calorimeter with known expected values. This establishes the current offsets in the color display, and ICC profiles can be created and the display s brightness, contrast, and RGB settings can be adjusted.

PS/2 and serial devices should not be connected while the system is running because it could damage the device or the interface circuitry.

Again, ifyour objects are going in unexpected places, it is probably the center point that is incorrect. Generally speaking, the objects are rotated as they are arrayed relative to the rotation angle. If you do not want them rotated, simply remove the check in the 'Rotate items as copied' box.

and a further contribution from the modified internal energy equation (2.3 l),

where we assume for simplicity that ax 1. De ning i0 n i, Eqn. (10.70) can be rewritten gn X

Substitute Products How much power can your consumers exert by switching Products that can easily be substituted affect your ability to raise prices. Switching is affected by how easily buyers switch, the perceived differences between products, and product quality or features. When there are more products close to you, there is less ability for you to raise prices.

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